With spring just around the corner (the calendar says next Tuesday, even if I spent part of this morning clearing some residual snow from last week’s double-whammy storms), I realized that I had been remiss in updating my own “Calendar of Events”.
We car guys and gals patiently wait for those final traces of salt to be washed away so we can unhook the Battery Tenders, check fluid levels and tire pressures, and ease our old iron out into the early spring sunshine. It’s nice to be reminded that there will be plenty to do; here’s what’s on my calendar so far (and this is just the first two months of the season):
In Chapter 6, we saw in pictures and words how the chassis was the first component to be transformed from rusty hulk to freshly painted beauty (if an Isetta chassis can be beautiful).
In Chapter 7, we discover the secrets to taking apart what is essentially an air-cooled BMW motorcycle engine. Then we do it two more times.
You cannot embark on a project of this magnitude and expect to do it alone. This is especially true for tasks you’re performing for the first time. At some point, there will be the need to rely on, and to seek expertise from, those who have done these things before you. This is the theme for this Chapter, and this concept will certainly be revisited again.
I’ve related in earlier Chapters how glad I was to discover other hobbyists who were Isetta restorers and collectors. There was some knowledge-sharing, and just as important to me, there was satisfaction in knowing that parts availability could be fulfilled through some of my fellow Isetta fanatics. Now, as I was about to start a mechanical teardown and rebuild, I really needed some assistance from others.
Two gentlemen who were serving the Isetta community, John Jensen and Ron Krause, were both huge factors in the success I had with my engines. Simply put, this restoration would have faced a far rockier road without them.
With the cleaning and painting of the bare chassis done, I had to decide which mechanical sub-system to work on next: engine, gearbox, rear axle, electrical, suspension, or brakes. Bodywork, which I would not be doing myself, would be postponed until most or all of the mechanicals were completed.
The decision was made to begin with the engine, as that would potentially take the most time. Also, from staring at these engines over the last few years, I still did not know how to take the one-cylinder Isetta engine apart. To be specific, I saw no way to remove the crankshaft & connecting rod from the crankcase. The case was one piece; it was not “split” the way an air-cooled VW or Porsche crankcase is. And as near as I could tell, the bottom of the connecting rod was not split either. At least I couldn’t see or feel any bolts which would hold an end cap in place. Whatever the trick, this was nothing like any other automotive engine I had worked on.
I was now subscribing to Minutia, the quarterly publication of the Microcar & Minicar Club. In a recent issue was an ad from a fellow named John Jensen (I recognized his name from the old HMI Club). He was advertising a book he had authored and self-published (come on, you think Random House was interested?) entitled “Isetta Restoration”. He claimed that the book was a detailed account of the restoration of his own Isetta. It seemed expensive at $42 in 1992 dollars, but I purchased it.
The memory of getting the book in the mail and opening it is vivid. The first thing I looked up was “engine disassembly”. I’ll paraphrase what was in the book:
“The Isetta crankshaft is a two-piece affair, with the two halves pressed together through the bottom of the one-piece connecting rod, which rides on a roller bearing. To remove the crankshaft/con rod assembly from the case, you must heat up the case to a temperature of around 400 degrees F. Doing so expands the aluminum just enough so that you can wiggle the crank/conrod out of the front opening. Be sure to use oven mitts!”
For me, this was as good as “X” marks the spot on a treasure map. I couldn’t wait to try this. But first I needed to make a decision: WHICH of the three engines would I rebuild?
Yes, I was in possession of three engines, all in various states of disassembly. Taking an approach I had already used with the bodies, carburetors, and other systems, I decided to disassemble all three engines, and take stock of what I had. I cleverly labeled the engines A, B, and C. Three cardboard boxes were also labeled A, B, and C, and were positioned under my workbench. As parts came off, they went into their respective box.
At first glance, all the engines looked questionable, as they had been open to the elements for many years. With front covers and oil pans removed, the picture became clearer: the ones which kept oil in them looked better, if a bit black. And one looked like it had been lifted from the deck of the Titanic (not really, but it certainly had been in water).
Based on this visual inspection, I decided to rebuild two engines, one for my car, and one for my step-son’s. The third engine would be sold for parts, which would help fund the project.
A colleague at Volvo, Steve Kraitz, was also a part-time carpenter, I showed him a page from Jensen’s book which detailed the construction of a wooden engine stand that could be bolted or clamped to a workbench. Steve gladly agreed to build this for me, charging only for the cost of the wood. That stand was a major help with the engine rebuilds. Because the engines are so small, it was a simple matter for one person (me) to bolt the engine to the wooden stand, and then lift and bolt the stand to my workbench.
As engine parts were removed, they were cleaned, labeled, and returned to the appropriate box. I now had three engine crankcases, with everything removed except crankshafts and connecting rods.
Time to fire up the blue torch.
My trusty Bernz-o-Matic was pressed into action. I selected Engine A. With the exterior of the crankcase as clean as possible (I didn’t need to add to the drama by igniting any errant sludge), I moved the flame around the front of the case. The crankcase, of course, was bolted to the plywood engine stand, so I couldn’t get too close to that either! It felt like an eternity, but after about 15 minutes or so of heating, I guessed that the aluminum had absorbed as much heat from a propane torch as it was going to.
I grabbed the oven mitt which I had thoughtfully brought down from the kitchen, grabbed the nose of the crankshaft, and worked it forward. I had to experiment with tilting the shaft to get the connecting rod to clear the opening. It looked like it wasn’t going to come out. Moments passed. The crankcase was cooling off.
POP – I must have blinked, because in the next moment, I was holding onto a crankshaft/conrod assembly OUTISDE the crankcase. Yahoo! I exclaimed (before that was a search engine).
I stopped for now. This was too much excitement for one night. I worked on the next two engines on subsequent nights, with the same success. But the next step was still a problem in search of a solution: how was I going to separate the crank halves so that a new bearing could be installed?
In the early 1990s, Old Cars Weekly was a viable publication in the hobby, and I subscribed to it. The classifieds in the back could be helpful, and it was here where I noticed a vague ad from someone who offered Isetta restoration services. His name was Ron Krause, and he was in Emmaus, PA, only an hour from my house. But first I decided to give him a ring:
RR: Hi, I’m calling to find out if you can rebuild Isetta engine crankshafts.
RK: Sure, just bring me the engine so I can remove the crankshaft and examine it.
RR: Oh, the crank is already out of the case.
RK: Who did that?
RR: I did.
RK: YOU are a genius.
I tried to remain humble at this inference of my intelligence level (really, I was just a tech with a blowtorch). But Ron was OK with me bringing the crank/conrod assembly to him. We agreed that I could drive out on a Saturday morning to drop it off.
The following weekend, I arrived in Emmaus in front of what looked like an Isetta new car dealership. Out front, there was a glass-walled showroom with several restored Isettas. Inside was a service area with cars-in-progress, along with several chassis. Ron himself was behind a parts counter, assisting a customer ahead of me. It was 1957 all over again.
Ron Krause had been a successful Honda dealer principal. As I understood it, he got into Hondas very early in the game, sometime in the early ‘70s. He prospered through all the boom years, and then decided to retire. He sold the franchise, and the new owners had to relocate when he retained ownership of the property. He kept the building where his Honda dealer was, and turned his hobby into an Isetta business. Here was yet another “character”, as seemed to be the trend among people who liked Isettas (not sure what that said about me).
I had time to wander around while waiting for him to finish with his customer, and I couldn’t help but observe that as nice as his restorations were, they were not done to 100% original standards. There’s nothing wrong with that if that’s what you want, but many of these restorations were not my preference. He especially favored inauthentic colors. A rare bubble-window convertible was a quality job except for its metallic turquoise paint. Not quite as bad was the white sliding-window convertible with blue body accents.
When Ron finally came out from behind the counter to greet me, he also went back to work on one of the chassis. While we talked, he cut an intake manifold in half so that the two halves could be re-welded with one end rotated 90 degrees. Ron made no secret of the fact that he “hated” the factory Bing carburetors. No doubt driven by his long-term Japanese car experience, he said he converted ALL his Isettas to run on Hitachi carbs. The reconfiguring of the intake manifolds was all it took for the Hitachis to bolt right up, at least according to Ron.
He agreed to rebuild the crankshaft and con rod assembly for me, so I left it with him, but not before inquiring about other parts he might have. It felt like quite the stroke of good luck to have several sources of Isetta parts (first Isetta Johns in Rutherford NJ, and now Ron Krause) within an hour’s drive of me. Things were looking up in my quest to get this project on the road by 1995.
Chapter 8 of the Isetta Saga will detail progress on suspension, wheels, and tires happening while we patiently wait for the Krause crank creations (moan).
Today we take for granted that the Japanese “Big 3” in the automotive world are Toyota, Nissan, and Honda. Toyota built its first passenger vehicle in 1935; Nissan was building cars under the Datsun name around the same time. But Honda started much later: its first vehicles went on sale in 1963.
While it entered the U.S. market in the late ‘60s with some quirky small cars, its first mainstream success was the introduction of the Civic in 1973, which stood out as one of the few front wheel drive vehicles available in any segment. The Accord was introduced in 1976. Both the Civic and Accord have been in continuous production since their introductions in the ‘70s.
In Chapter 5, we counted down as the number of Isettas to be restored dwindled from three, to two, to one. Whew! That looks more manageable now.
In Chapter 6 below, we finally get our hands dirty, and perform the first work of any substance on what will some day be a driving automobile.
The Restoration Plan for what would eventually be ONE running and driving Isetta was coming more into focus. Some extraneous parts had been sold off, and remaining parts had been picked through and sorted, a more time-consuming process than first imagined. My gaze now turned to a rusty, crusty, but complete chassis, and the next course of action would be to remove everything from it, including its factory paint. But first, let’s shoot a roll of film!
The reasoning (which turned out to be quite correct) was that it could be a few years before I would be reassembling many of these components onto a restored frame. Previous automotive repair work had taught me that you can’t trust your memory, even if you think it’s sharp. (I had experienced instances when, after removing 4 bolts of different lengths from an assembly, I had forgotten the precise locations of those bolts by the next day!)
There was nothing to indicate that any major mechanical work had preceded my ownership of this fine German automobile, so the photographic evidence would provide documentation as to how the brake lines, suspension, foot controls, cables, etc. were installed by the factory. Once the photos were in hand, the chassis was stripped of all mechanical components, and all removed parts were labeled, bagged or boxed, and stored.
The only untouched parts were the front spindles. They were attached to the chassis via king pins. None of my Isetta parts catalogs showed replacement parts for them, and since I detected no freeplay, I let them be. They were a beautiful cast aluminum, and would not require painting. They would be masked for protection when the chassis was painted.
When stood on its end, the bare chassis was about as tall as I was, and weighed perhaps 40-50 pounds. It was a simple affair to lift and carry it into my basement shop, a more comfortable place to work compared to the garage. I set the chassis down onto an all-metal dolly that I found in a trash heap on a Brooklyn street corner while on a music gig. The dolly came home with me, jammed into the back of my wagon along with my drums.
I tackled the old paint and rust with a 3M abrasive wheel, chucked into my handy Black & Decker all-metal drill. A short time later, the chassis was devoid of paint. One could see welding splatter from the factory welds. There were no signs of collision damage, nor had rust permeated the structure in any way.
For paint, I settled on Bill Hirsch’s Miracle Paint, a product that was heavily advertised in collector car publications of the day. Compared to POR-15, Miracle Paint was promoted as not requiring a top coat (although one could paint on top of it if desired). Available in black, silver, and clear, I selected black, and when I saw how glossy it was, I decided that no top coat was needed.
I learned the hard way that if you removed the lid on a can of Miracle Paint, got some paint in the can’s lip, and reinstalled the lid, that lid was not coming off again. The “trick” was this: keep the lid on the can. Shake it well. Using an awl, punch two holes in the top (one slightly larger than the other). Pour out just enough paint as needed into a disposable cup (the 2nd hole allowed the paint to pour out more freely), and close both holes with duct tape. If the duct tape could not be removed, you only had to punch a hole through the tape, and into the existing hole. This worked like a charm.
Although Bill Hirsch sold Miracle Paint solvent, I found it much more efficient to paint with disposable foam brushes. They could be bought at Carlisle for 25 cents each, and the foam left a smooth surface without brush marks. The entire chassis, indeed much of this project, was painted with foam brushes.
By this time, we were halfway into 1992, and while progress was “steady”, it was also “slow”. In these days, prior to TV shows which glamorized auto restoration, I’d read the occasional article in Old Cars Weekly about someone who restored a ’57 Chevy in six months. Sure! First, you had dozens of parts suppliers who had everything you needed; second, you could attend any car show and find a reference car, should you need to examine one; and third, you were probably retired, and had 40-50 hours a week to devote to the hobby. My path forward offered to none of these advantages.
During the summer of 1992, I learned of a car show in eastern Ohio that was planning to feature BMW Isettas in a special class, so we went. Yes, it was a long ride to look at some Isettas, but the last time I had done something like this was ten years prior. My restoration had begun, and I was anxious for the inspiration.
We got to the show, and the turnout was better than expected. Looking much like dyed Easter eggs (and not much larger), the lineup of Isettas made for some striking photos. I chatted with a few owners, one of whom informed me of a new club, called the Microcar and Minicar Club. He provided me with an application, and encouraged me to join.
But the biggest shock of the show was provided by someone who did not have a car on display. I watched as a man set up several display tables, and proceeded to unload crates and boxes of …. new Isetta parts. His name was John Wetzel, and he operated a business that he called Isetta Johns (sic). He lived in Rutherford NJ, most convenient for me, and by all appearances, this was his full-time employment. While I did not purchase from him that day, I obtained his contact information, and assured him that I would be in touch.
My recollection of that show was that it left me feeling overwhelmed, and slightly depressed. I saw that I had a long way to go before my car would be up to the caliber of the cars in Ohio. This, combined with the discovery of someone like Isetta Johns, also altered my thinking about the project. Rather than just get the car to run, only to possibly take it apart again to fully restore it, it seemed the wiser decision to perform a complete restoration while it was all in pieces. I needed to step up my game.
The business world in the early 1990s was as much about organization and motivation as it was about making profits. This certainly was the case at Volvo, what with newly launched efforts on Vision Statements, Mission Statements, Total Quality Management, and so on. Taking a page from this approach, I decided that a motivating slogan would spur me to keep pushing forward. For the umpteenth time, I asked myself, “this car is so small! How long could it take?” The approximate answer to that was “three more years”, which would land me in 1995.
The slogan was born: “THE ISETTA WILL DRIVE IN ‘95”. I printed out multiple copies, and hung one in my workshop at home, and one in my office at work. Some of my Volvo colleagues took pity on me; others thought I had lost my mind.
In Chapter 7 of the Isetta Saga, you’ll learn how the twin discoveries of an Isetta Restoration Book and an “Isetta Dealership” in Pennsylvania provided the kick start to a rebuild of the 1-cylinder BMW motorcycle engine.
The word “chassis”(pronounced CHA-see) is actually French. Its etymology goes back to Latin, but in 13th century Old French, it was spelled “chassiz”, and defined as a “frame” or “framework”. By the 1660s, the spelling evolved to “chassis”, and more narrowly referred to a “window frame”. In 1869, the word was defined as a “sliding frame or carriage base for a large gun” (I’m picturing something more akin to a cannon, rather than a hand-held gun). In 1903, at the start of the automotive industry, it entered the English language as meaning “the base frame of an automobile”.
Although I could find no further explanation as to how the word switched from guns to cars, it seems logical that given the French dominance in the very early years of the horseless carriage, a French word for a car part would easily be adopted. After all, the word “automobile” also comes to us directly from the French.
Remember this the next time you’re eating French Fries.
Chapter 4 recounted how a stealth mission reunited the 3 MIA Isettas with their owner after a lost decade of neglected storage. The initial cleanup of the pile of parts was barely the beginning of the restoration process to come.
In Chapter 5, the first Big Restoration Decision is made: shall we restore one, two, or all three cars? After all, they’re so small – how difficult could it be?
My newly-acquired home had the advantage of an attached garage, with a walk-through door leading to a basement room equipped with a workbench and my full tool set. It was also heated, courtesy of the gas burner with which it shared space. A disadvantage was that the garage was single-car sized. Isettas are small, but three of them (plus parts) managed to rather completely fill that space. This also left precious little room for wrenching on them.
The first of what would be many consequential decisions was about to be made. I needed to ask myself “what exactly is my plan? What do I hope to accomplish?” The answer to those questions was this: perform enough mechanical restoration work to ONE Isetta to make it drivable. This was the goal at the start; nothing more, nothing less.
In surveying the cars, bodies, chassis, and crates full of loose items, I realized that that a complete inventory would not only be necessary; it would serve as a road map for a logical progression with the mechanical work. Allow me to remind my readers, most of who were not there, that these cars had been taken apart, and not by me. To put it in a Rumsfeldian way: I didn’t know what I had, and more importantly, I didn’t know what I didn’t have.
Much of the next two years was consumed with A) disassembling everything; B) arranging all parts, including multiples, in marked bags and boxes; and C) keeping the “best one” of each, while selling off the duplicates. This otherwise-boring job was greatly aided by the Isetta parts diagrams that Wes had given us (and which a cleaner copy was later obtained from the HMI Club).
Parts cleaning was done with various solvents for the grease and grime; a 3M plastic “stripping” wheel was chucked into a drill to strip rust, old paint and other hard coatings.
Shoeboxes, milk crates, cookie tins, and plastic produce bags were all pressed into service as parts organizers, at little or no cost. Everything was sealed shut with masking tape, and a big black Sharpie identified the contents. Once cleaned, parts were placed on a set of shelves I built from scrap wood for the sole purpose of storage and organization.
THE FOUR CARS
Isetta Number One (car on left) was solid red, with twin wipers and door vents, making it a “DeLuxe” model. The body on this car was the most rusty of the four. I never recorded its chassis number.
Isetta Number Two (car in center) was also solid red, without door vents, and with a single wiper. Its chassis number was 509090. This was the car that I restored and kept.
Isetta Number Three (car on right) was just a body, without a chassis. Its chassis number was 509516. While currently red, signs of the original pastel yellow were very obvious on both the outside and inside.
Isetta Number Four was two-tone blue grey (two-tones are very common on Isettas). Its chassis number was 511502. (Note the proximity of the three chassis numbers.) This was the vehicle which Don kept, and it is the one vehicle of which I have no photographs.
While this was going on, I more closely examined the three car bodies. The casual observer would have seen little difference among them, but each was different. All three were red, but only two were born that way.
One had left the factory in a pastel yellow, and had received a rather crude hand-brushed repaint in red (maybe Wes wanted all of them to match). The yellow car was also the one with the missing chassis, not that we couldn’t mount it to another one.
The second car was a “DeLuxe” edition, with fresh air vents in the door, and, luxury of luxuries, TWO wiper blades! While these were positives, a rather large negative was the body’s condition: of the three, it had the greatest amount of rust and sheet metal damage. The roof was dented, and some hack had cut a rectangular opening in the shelf above the engine.
The third car was a “standard” body, as most Isettas were, lacking door vents and a 2nd wiper blade, but aside from a 2-inch rust hole in its battery tray, its body was in the best shape.
I decided to sell the DeLuxe body. From what I had seen among Isetta parts suppliers, the door grilles and internal air vents were not available as spare parts, and I feared that this would prove to be an obstacle down the road. (Only much later did replacement parts become available, and I would later regret selling that door, as “DeLuxe” Isettas were rarer and potentially more valuable.)
I unbolted the body from the chassis, removed all the glass and trim, and began to advertise it. While attending Imports at Carlisle, I created a wearable sign, hoping to garner some attention and a possible buyer. While I can’t speak to the attention I may have gotten, no one was waving dollar bills in my face (I sadly underestimated the on-site market demand for Isetta bodies).
Back home, I placed an ad in Old Cars Weekly, asking $100, and I got it! A dentist from Long Island drove out to my house with a flatbed (overkill; the body would have fit in the bed of a Ford F-150). He claimed that he was going to turn it into a race car. And I thought my dreams were ambitious! Before it left my possession, I posed for a final picture:
This left me with two rather complete cars, plus a spare engine, as I had three crankcases. The next decision was easy: the yellow car would go, and I’d keep the remaining red car, as its body was the best. Since my initial intention was to just get a car running, it looked like the red body might not need much of anything, other than to be bolted to a completed chassis.
My step-son, who in his young age already had several automotive projects under his belt, wanted to buy the yellow car from me. At first, I was completely against the idea. He lived in Colorado and expected me to store it for him “for the time being”. Recalling the patience my parents displayed when I unceremoniously dumped three Isettas in THEIR backyard, I relented. He offered me $500 for the yellow car, and I told him that I’d keep the car in NJ until he could make plans for it.
The red body came off the chassis so that I could remove the suspension, brakes, and remaining drivetrain pieces. The body, sitting on wood, was back to hibernating in a garage until I would get to it.
As tempting as it was to peruse the numerous (both) Isetta parts catalogs so that parts purchasing could commence, I held off. For now, I stayed focused on the short-term goal to complete the cleaning and cataloging. Only when that was done would I start literally at the bottom, by bringing one chassis back to like-new condition.
In Chapter 6 of the Isetta Saga, we see lots of stripping action, as the chassis is first stripped of all its components, and then stripped of its factory paint, as the mechanical work begins in earnest.
The August 1990 issue of Car & Driver magazine (released around the time the above work was going on) featured a preview of the soon-to-be-available BMW 850i. Complete with 12-cylinder engine, it carried a base price of $73,600 (a far cry from the $1,098 starting price of a ’57 BMW Isetta). The 5-liter engine produced 296 horsepower and 332 ft. lb. of torque. Today’s electronically-controlled turbocharged and supercharged engines easily top those numbers with way fewer cylinders.
The primary purpose of the annual meeting is the Saturday banquet, during which prize winners from the previous year are recognized. There is a General Membership Meeting on Saturday afternoon. Other meetings for officers, Regional Presidents, and judges are also scheduled. Seminars on various topics of interest to the hobby are held all day Friday, and half the day on Saturday. In parallel, a Trade Show is on site, populated by businesses which support lovers of old cars. For someone like me who attended only on Friday, there is lots to see and do.
If there is an issue with the Seminar schedule, it’s that one cannot attend every seminar of interest! There are five time blocks during the day on Friday, but each time block is hosting SEVEN different seminars in seven different rooms. So you need to pick the most interesting one. Given that each time block is 90 minutes, there is the option of jumping from room to room, with the obvious downside of potentially missing something interesting.
I began Friday morning in the “Market Value Trends” seminar, hosted by the Auto Appraisal Group (AAG) Company. Larry Batton was the presenter, and he showed us various slides which crunched the sales figures from the most recent (Jan. ’18) Arizona auctions. By his own admission, Larry is a numbers guy, and of course, dollars are numbers.
One of his more interesting observations was summarizing “average sale price” for the auctions MINUS the $1M+ sales, and MINUS the charity sales (which tend to be beyond “fair value”). It gave a somewhat refreshing look at what cars really sell for, once these outliers are struck from the equation.
He also regaled the audience with a humorous story about a man who “bought back” his own car at an auction, and in doing so, set a world’s record price for that make and model. A few months later, the owner tried to sell the car privately, claiming that the car was worth what he bought it back for. Larry’s point? Do your homework, ask a million questions, ALWAYS ask to see the title, and seek professional help (a plug for his own company).
Next was a session called “Repair, Restoration, and Maintenance” by James Cross. Jim approached his topic in a folksy, low-key, somewhat random way. He’s an old-school, likely self-taught restorer who has focused much of his own collection on pre-war cars (he owns a 1909 Buick). He entertained AND educated us with his list of home-brewed remedies (for example, ketchup will clean the outside of brass radiators, and Arm & Hammer Super Washing Soda will clean their insides).
One topic covered by Jim which inspired quite a bit of Q&A from the audience was the repair and restoration of wooden wheels. Based on participants’ reactions, your humble blogger was pleasantly surprised to learn that so many hobbyists still have a need to know how to do this. And this observation brought out the one issue with this presentation (which does not cast the slightest aspersion on Mr. Cross): the room was full of old white men, not one of whom was under the age of 50. All this knowledge is great stuff; but how does it get transferred to succeeding generations? This is not an original thought, of course, and yet it remains a vexing issue for the entire old car hobby.
The third and final morning seminar that I joined was given the somewhat misleading title of “Decorating Your Garage”. Dan Matthews, the presenter, is an extremely knowledgeable expert in automobilia and petroliana, having written three books on the topic. His main focus was giving advice to the audience about distinguishing “real” tin and porcelain signs from “reproduction” ones. His fast-paced delivery did not always mesh well with his goal, but it was enough to highlight some of the clues one should look for.
It helps if one has some basic knowledge (he was able to rattle off statistics such as “there were only 12 made of this particular sign, and the last one sold for $20,000”), and perhaps one of his books on the subject would help the serious shopper. At the end of the day, the warning is one we’ve heard many times before: “if the price seems too good for it to be real, it probably isn’t”.
My two post-lunch choices were much more AACA-specific. The “Publications Seminar” hosted by outgoing AACA Publications Chairperson Mary Bartemeyer was designed solely for those who work with their own Regions’ newsletters. (Starting this year, I will be taking a more active role in writing for the NJ Region’s newsletter.) AACA has a long list of “do’s” and “don’ts” for these newsletters, and there is special focus on copyright infringement. We were all admonished that you simply cannot take a photo off the Internet and reprint it in your newsletter.
We heard one sad story about a Region which violated a copyright and was contacted by an attorney. When the Regional representative said “hey, we’re sorry, we’re just a non-profit club”, the attorney’s retort was “too bad, this is the amount it is going to cost you to settle or we’re going to court”. Mary made the point that the Club’s insurance does NOT cover such matters!
The final seminar for me was simply called “HPOF” (in AACA-speak, that’s Historical Preservation of Original Features). The presenter was Fred Trusty, who is the Chairperson for HPOF. He started with an interesting look back at the origins of HPOF. This new class one born in the late 1980s in part from the realization that many of the vehicles entered into Class Judging were over-restored, and it was no longer possible to literally see how the factory made these cars. Preserving an original car as “original” was deemed to be in the greater interest of the hobby.
HPOF started off recognizing cars 45 years old and older; that cutoff was then moved to 35 years, and then again to where is it today, cars 25 years old and older. HPOF judges would rather see imperfect yet original, instead of perfect but non-original. There are some grey areas, such as re-painting, however, that also depends on the vehicle’s age.
Regarding paint, two examples were given: a 1920s car that was repainted once, in the 1940s, probably has so much patina that judges cannot tell with absolute certainly how old the paint is. The car would likely be judged to be “original”. On the other hand, a 1970s car with a complete repaint would not be considered eligible for HPOF.
I have a more than passing interest in this class, as my 1967 Alfa Romeo already has its HPOF award, and one of my challenges as its caretaker is to maintain it in as close to original condition as possible, while still driving it about 2,000 miles per year. I also intend to enter my 1993 Mazda Miata (it turns 25 this year) in the HPOF class at Hershey in 2018. I’m anxious to see if it qualifies for an award.
If you are an AACA member and have not attended an Annual Meeting, I highly recommend that you do so. If you are not a member of AACA and are interested in old cars, the history of old cars, and preserving history, I strongly recommend that you join. Ownership of an old car is NOT a prerequisite. For me, the best part about my membership is conversing with like-minded individuals.
You were maybe expecting Chapter Five of the Isetta Saga? It’s coming along nicely, and you’ll read all about it next week, promise.
The original Mazda Miata debuted in the summer of 1989 at the Chicago Auto Show. The first vehicles were 1990 models, making them 28 years old this year. At the time of its introduction, the traditional affordable 2-seat roadster had all but disappeared (Austin-Healey, MG, and Triumph were gone). The Miata’s closest competitor was the Alfa Romeo spider, riding on a body/chassis design that had been introduced in 1966.
In Chapter Three, we empathized with our wanna-be restorer who uncovered copious sources of Isetta parts and technical information, but who was still unable to accomplish any restoration work of significance.
Chapter Four ends happily when a clandestine mission brings all the Isettas to the same home as the author for the first time in a decade.
CHAPTER 4: A GARAGE OF MY OWN FOR THE ISETTAS
As the decade of the 1980s progressed, my dreams of restoring my Ford and BMWs were constantly beyond my reach. That’s not to say that I wasn’t spending my time productively. Much effort went into advancing my automotive career, as I progressed from Service Writer to Service Manager to a position with Volvo Corporate; I also embraced every opportunity to indulge in the drummer-as-alternate-career role, an activity which consumed a tremendous amount of time and energy.
In 1983, my girlfriend and I took a week’s vacation, traveling to Germany to be with her sister and brother-in-law. The BIL was in the service, stationed in Frankfurt. I insisted that we find our way to Munich so that we could visit the BMW Museum. (This was the same trip during which we visited the Schlumpf Collection in Mulhouse France.) The museum had an Isetta on display, alongside its contemporary 507. The 507 was graced with a statue of Elvis alongside it, who owned one. The Isetta featured a life-size likeness of Marilyn Monroe alighting from its front door. This is what the Germans thought of ‘50s American culture.
Aside from this visit, I paid little heed to anything Isetta-related, as my tiny car collection remained tucked away in its Maplewood garage. I continued to mail garage rental payments to Ms. Stetson, but otherwise had no contact with her. Mike Adams, who was sharing the garage with me to store his Volvo 544, left his employment at Smythe Volvo, and I subsequently lost contact with him.
The HMI Club still published newsletters, but I eventually stopped my subscription. An odd side-effect of having my name and number in the Club Directory was that, about once a year, my phone would ring and I would immediately face a barrage of questions: “I’m calling about the Isettas. Do you still own them? Can I ask you some questions about your Isettas?” These conversations, easily lasting an hour or more, would be pleasant, but did nothing to further any progress with the cars.
“Three BMW Isettas for sale, disassembled. Need complete restoration. Take everything for $500.”
One person responded, someone who drove out from Brooklyn. He met me at the garage. I opened the garage door. He took one look, said “have a nice day”, and headed back to his car. Soon after this, I stopped making rent payments. My secret hope was that Sue Stetson would sell her house and the new owner would take possession of the pile in which I had lost all interest.
As the decade was about to end, about three years into my employment at Volvo Cars of North America, my fiancée and I bought a house with a one-car attached garage. She was very supportive of my desire to be in the car hobby, and it was her son who helped hatch The Recovery Plan. He urged that we should drive to Maplewood under cover of darkness, and without alerting anyone, ascertain if the cars were even still there.
One night in the summer of 1989, we drove to Sue Stetson’s house. I barely remembered the way. We arrived close to 10 p.m. The entire block was eerily quiet. Sneaking down her driveway with flashlight in hand, we reached the detached garage behind the house. On tippy toes, I peered through the garage door window. Turning on the flashlight, and prepared for the reality that the garage might be empty, I saw them for the first time in years: three mournful Isettas stared back at me, seemingly untouched all this time. We did nothing more that night than sneak back to my car and drive home.
The decision was mine, and it was resolute: I would contact Sue Stetson, own up to my obligations to her, drag my bounty back to my garage, and begin the restoration process in earnest. I called Sue. She didn’t seem surprised to hear from me. As soon as I offered to pay her 100% of the back rent (about $1,200), she said that wouldn’t be necessary. I insisted. We compromised: I wrote her a check for $600, and we verbally agreed that this would fulfill all back-owed rent.
On Saturday, October 21, 1989 (eleven years to the day from when Don and I made our first trip to Moscow VT), I rented a box truck from U-Haul which could fit everything in one trip. At the end of a very long day, and for the first time in almost ten years, the Isettas and I again lived at the same address.
The following weekend brought glorious weather, what we usually refer to as Indian summer. Taking advantage of the warmth, I dragged all three cars and all the accumulated parts out of the garage and into the driveway to begin an initial cleaning and sorting. The only tools I needed that day were the garden hose and the garbage can.
First, the three bodies: I was happy to learn that my fine German automobiles served as home to many cats and mice during the last ten years: there were dozens of mouse skeletons, and more than a few shovelfuls of cat excrement to be scraped out of all the interiors. The only positive note regarding the clean-up was that much of the smell had dissipated. Using nothing more than car wash soap and water, I hosed down all three cars.
Then there were the mechanical bits. As you may recall, none of these Isettas were assembled in the traditional sense at time of purchase. Nothing had changed from 1978 to 1989: the various engines, transmissions, brakes, body pieces, etc., were still loosely collected in boxes and crates. On Cleanup Day, the best I could manage was to pose the pile on the ground for a picture.
With cleanup done, everything went back into the garage. For once, time was on my side as I plotted a course of action which would bring me into the decade of the 1990s, about to embark on a full-scale restoration of an Isetta.
In Chapter 5 of the Isetta Saga, we begin to disassemble all 3 cars, after which all loose parts are thrown into a pile, and the best of the bunch is selected while wearing blindfolds.
After World War II, the Bavarian Motors Works (BMW) was struggling to survive. Showroom offerings ranged from the $1,098 Isetta microcar, to the $8,988 507, of which only 253 were ever built. (To put that price in relative terms, a ’57 Mercedes Benz 300SL Gullwing was $7,295, and a ’57 Porsche 356 Cabriolet was $5,915.) Collector car values for the 507 languished for years. According to Sports Car Market magazine’s price guide, ten years ago, in 2008, the value of a 507 ranged between $300,000 and $500,000. Today, that same price guide pins its value at $2,077,500. Not a bad ROI.
For a vehicle which reached a production count of only 51, the “Tucker 48” automobile has fascinated auto enthusiasts, historians, collectors, and conspiracy theorists ever since the Tucker Corporation ceased operating in 1949.
Arriving shortly after the announced start time of 11 a.m., the lot surrounding the building was already so crowded that finding a parking spot took a few minutes. By the time I worked my way inside, I would estimate that I was one of at least 100 people in attendance.
Back to Ida Automotive: the shop building is set back from busy Texas Rd. by about 100 yards. With no identifying signage out front, those driving by on this busy street would have no idea it existed. Entering the front door, one passes through a small but neatly painted and carpeted front room and then into the shop area itself. There are multiple rooms, and each room is jammed with cars-in-process, tools, supplies, machine equipment, lifts, parts, and most notably, sheet metal, both in ‘stock’ and ‘formed’ shapes. The mob on hand made it so crowded that moving about took time and patience.
Having visited my share of automotive repair shops, there was an immediate sense that this operation is different. The primary work product here is sheet metal fabrication. The car collection within was eclectic, and included a ’50 Mercury convertible, an unidentifiable ‘40s-era pickup truck under cover, a Ferrari 365 GT “Queen Mother”, and a ’58 Cadillac custom (covered and on a lift, exposing its rack-and-pinion steering!).
A FERRARI IN A FABRICATION SHOP?
The question was answered once I spotted the “before” photo: something had crushed its roof, and the skilled metal workers at Ida Automotive had beautifully repaired it:
That brings us to the Tuckers. One was immediately drawn to a brilliant blue Tucker, appearing to be a perfectly restored car – until one noticed the twin-turbo engine out back, sitting in a chassis that looked about 4 inches lower than stock. This Tucker otherwise appeared ‘normal’, but the blank VIN plate caused me to conclude that this was a replicar, albeit an extremely well-done one.
Behind it was a wooden buck (upon which sheet metal is formed into shape), and again, first glances proved deceiving. While the overall form looked Tuckerish (if that’s not a word, it should be), certain shapes on the buck deviated from the blue car next to it.
Moving into the next room, the shiny object in front of me was some sort of car, but what? Again, the word “Tuckerish” came to mind. But there were enough hints lying around in the form of printed images to solve the riddle. Ida Automotive is in the process of recreating the original Tucker Torpedo, the design study shown to the public in two-dimensional form, but never built. It’s an odd-looking thing, especially without glass and doors installed, preventing you from seeing the whole shape. But the more one stared, the more one could see the familial resemblance. Oh, and that buck behind it is for this Torpedo.
THE TUCKER TORPEDO
The “Torpedo” was the name given to the illustration of the prototype. Many mistakenly called the production car the “Torpedo ’48”, but that was not its name. The efforts by Ida Automotive to create a vehicle which never existed is fanatical.
Its most unique feature (so far) is the seating arrangement. There are 3 seats, arranged on an electrically-powered carousel disc. There is one seat in the front for the driver, who sits behind the centrally-mounted wheel; in the rear are two passengers. However, the carousel rotates, which means any one of the 3 seats can be the driver’s seat. This might also assist with ingress and egress. One can only hope that the carousel’s rotational ability is disabled while the Torpedo is in motion.
The final room held the star of the show, Tucker #1044 (its serial number). Interestingly, this very car was recently featured in Hemmings’ Classic Car magazine. The gentleman who owns it bought it last year, and must have decided that, although a decent driver, it deserved a complete do-over, and he concluded that Ida Automotive was the best place for it.
It was very generous for the proprietors to open their doors on a Sunday to those of us interested in Tuckers. Our hosts went so far as to provide coffee, water, and breakfast treats. There were no formal presentations, so we were left to figure things out by snooping around the place. A poster on the wall was a big giveaway: a man named Joseph Ida was the dealer principal of a Tucker dealership in New York, so it’s not a far stretch to conclude that a descendant owns Ida Automotive. Another poster proclaims: “Ida Automotive Est. 1959”, so they’ve been at it for a while.
MACHINE AND SHEET METAL TOOLS
The business’ associated websites offer little in the way of clues as to what actually transpires within these walls. Based on the quality of work I observed, it’s fair to say that Ida Automotive excels at what they do. It’s also refreshing for this collector to see some things still done the old-fashioned way. We in the hobby can only hope that workers with these skill sets continue to be around so that our automotive treasures can continue to be maintained and enjoyed.
Please don’t be alarmed: Chapter Four of the Isetta Saga will return next week, promise.