Tucker Restoration Shop Holds Open House

For a vehicle which reached a production count of only 51, the “Tucker 48” automobile has fascinated auto enthusiasts, historians, collectors, and conspiracy theorists ever since the Tucker Corporation ceased operating in 1949.

On Sunday January 28, 2018, I had an opportunity to visit a shop which is in the process of performing a complete restoration on Tucker #1044. Via my membership in the NJ Region of the Antique Automobile Club of America (AACA), the word went out that Ida Automotive, a shop in Morganville NJ, was hosting an Open House, allowing invitees to see this Tucker in its disassembled state.

Arriving shortly after the announced start time of 11 a.m., the lot surrounding the building was already so crowded that finding a parking spot took a few minutes. By the time I worked my way inside, I would estimate that I was one of at least 100 people in attendance.

This is one of three shop rooms

There is no need to delve into the detailed history of Preston Tucker and his eponymous cars here. If interested, the author invites the reader to visit this Wikipedia page, or this page from the AACA Museum website. Indeed, Richard’s Car Blog briefly highlighted the Tuckers at the Museum when we visited in early 2017.

Back to Ida Automotive: the shop building is set back from busy Texas Rd. by about 100 yards. With no identifying signage out front, those driving by on this busy street would have no idea it existed. Entering the front door, one passes through a small but neatly painted and carpeted front room and then into the shop area itself. There are multiple rooms, and each room is jammed with cars-in-process, tools, supplies, machine equipment, lifts, parts, and most notably, sheet metal, both in ‘stock’ and ‘formed’ shapes. The mob on hand made it so crowded that moving about took time and patience.

Having visited my share of automotive repair shops, there was an immediate sense that this operation is different. The primary work product here is sheet metal fabrication. The car collection within was eclectic, and included a ’50 Mercury convertible, an unidentifiable ‘40s-era pickup truck under cover, a Ferrari 365 GT “Queen Mother”, and a ’58 Cadillac custom (covered and on a lift, exposing its rack-and-pinion steering!).

’50 Mercury convertible, almost done (but I found green over red colors odd)

The question was answered once I spotted the “before” photo: something had crushed its roof, and the skilled metal workers at Ida Automotive had beautifully repaired it:

That brings us to the Tuckers. One was immediately drawn to a brilliant blue Tucker, appearing to be a perfectly restored car – until one noticed the twin-turbo engine out back, sitting in a chassis that looked about 4 inches lower than stock. This Tucker otherwise appeared ‘normal’, but the blank VIN plate caused me to conclude that this was a replicar, albeit an extremely well-done one.

Behind it was a wooden buck (upon which sheet metal is formed into shape), and again, first glances proved deceiving. While the overall form looked Tuckerish (if that’s not a word, it should be), certain shapes on the buck deviated from the blue car next to it.

Moving into the next room, the shiny object in front of me was some sort of car, but what? Again, the word “Tuckerish” came to mind. But there were enough hints lying around in the form of printed images to solve the riddle. Ida Automotive is in the process of recreating the original Tucker Torpedo, the design study shown to the public in two-dimensional form, but never built. It’s an odd-looking thing, especially without glass and doors installed, preventing you from seeing the whole shape. But the more one stared, the more one could see the familial resemblance. Oh, and that buck behind it is for this Torpedo.

The “Torpedo” was the name given to the illustration of the prototype. Many mistakenly called the production car the “Torpedo ’48”, but that was not its name. The efforts by Ida Automotive to create a vehicle which never existed is fanatical.
Minus doors and glass, Torpedo looks awkward from this angle
Its most unique feature (so far) is the seating arrangement. There are 3 seats, arranged on an electrically-powered carousel disc. There is one seat in the front for the driver, who sits behind the centrally-mounted wheel; in the rear are two passengers. However, the carousel rotates, which means any one of the 3 seats can be the driver’s seat. This might also assist with ingress and egress. One can only hope that the carousel’s rotational ability is disabled while the Torpedo is in motion.
The Torpedo’s 3 seats, mounted on a carousel (note magazine illustration)

The final room held the star of the show, Tucker #1044 (its serial number). Interestingly, this very car was recently featured in Hemmings’ Classic Car magazine. The gentleman who owns it bought it last year, and must have decided that, although a decent driver, it deserved a complete do-over, and he concluded that Ida Automotive was the best place for it.

Spacious interior looks even more so here


Front suspension detail. Originally car had rubber suspension.
There was always a crowd around #1044 (note wall posters)


It was very generous for the proprietors to open their doors on a Sunday to those of us interested in Tuckers. Our hosts went so far as to provide coffee, water, and breakfast treats. There were no formal presentations, so we were left to figure things out by snooping around the place.  A poster on the wall was a big giveaway: a man named Joseph Ida was the dealer principal of a Tucker dealership in New York, so it’s not a far stretch to conclude that a descendant owns Ida Automotive. Another poster proclaims: “Ida Automotive Est. 1959”, so they’ve been at it for a while.

Wall poster shows Joseph Ida in front of his Tucker dealership in NY


The business’ associated websites offer little in the way of clues as to what actually transpires within these walls. Based on the quality of work I observed, it’s fair to say that Ida Automotive excels at what they do. It’s also refreshing for this collector to see some things still done the old-fashioned way. We in the hobby can only hope that workers with these skill sets continue to be around so that our automotive treasures can continue to be maintained and enjoyed.

Please don’t be alarmed: Chapter Four of the Isetta Saga will return next week, promise.  

All photographs copyright © 2018 Richard A. Reina. Photos may not be copied or reproduced without express written permission.



Tucker #1029, the car personally owned and driven by Preston Tucker, was sold by RM Sotheby’s at their January 2018 Arizona auction for $1,792,500.



Garage Tools: Micrometers, Vernier Calipers, and Dial Indicators

My dad was a career mechanic-machinist, spending most of his working life first in the garment district in Manhattan, repairing sewing machines, then with Proctor & Gamble at their Port Ivory (Staten Island) manufacturing plant, maintaining the production lines. Much of the love and respect I have today for tools of all kinds came from hanging around my father in his workshop. It is also my privilege to have inherited many of his tools, which now reside in my garage. Recently, when straightening out one of my tool drawers, I thought that featuring some of my dad’s old tools would be an enjoyable topic for a blog entry.

While it’s a cliche to say “they don’t make ‘em like they used to”, in many cases they don’t (but in some cases they still do!). To the point: these measuring tools, each about 60-70 years old in my estimation. Their metal composition gives them heft in the hand, yet operating their slides and dials is to exercise their silky smoothness. Their markings are for the most part stamped into their faces; no printing or transferring to wear away. They feel like they will last another 75 years. They may see infrequent use; but there is no doubt that they have maintained their measuring accuracy.

Starrett micrometer #216
Starrett micrometer #216

This first tool is a micrometer, with two features that I especially enjoy: it’s metric, and it’s digital. Reading a micrometer in the conventional way is something I can do, but I’d rather look at the digital readout! This one is marked “Starrett No. 216”, and to my surprise, it’s available today from Starrett:


Starrett micrometer #230
Starrett micrometer #230

Another Starrett micrometer in my collection looks a little worse for wear, but still functions fine. This one, model #230, has its fractional readings converted out to 4 decimal places in both 16ths and 32nds. I love the way those numbers are sturdily stamped directly into the frame of the tool.

This too can be bought new from the Starrett Company:


MZB vernier calilper
MZB vernier caliper

The kind of automotive work I’ve done has called for use of Vernier calipers more often than a micrometer. This Vernier caliper was made by a company called “MZB”. A Google search coughed up this ad from the May 1951 issue of Popular Mechanics. It would not surprise me if my dad bought this via this advertisement. (What, they don’t take Pay Pal?)


MZB caliper ad, May 1951 Popular Mechanics
MZB caliper ad, May 1951 Popular Mechanics


On my calipers, of special note is the reverse stamp: “Made in Germany Western Zone”. That must date its production to the time immediately after the end of World War II. (Also note my father’s name engraved into the tool, as he did with almost everything he owned.)

MZB caliper: Made in Germany Western Zone
MZB caliper: Made in Germany Western Zone

Spot-On Engineering Products of London England produced this lovely dial indicator, in its own protective hard-shell case. Little else is known about Spot-On, at least based on futile Google searches. However, the tool lives on in my garage, seeing occasional use for run-out measurements. It’s delightful to operate, and I especially enjoy watching the dial move around the face of the gauge.

What is it about tools that appeals to us car guys? Whether we fix our own vehicles or not, I think we share an admiration for the fine workmanship and usefulness that goes into a long-lasting quality tool, much like we feel about our classic rides.


All photographs copyright © 2015 Richard A. Reina. Photos may not be copied or reproduced without express written permission.